Quiet non-diegetic orchestral harmonious music, mostly major chords as she calmly walks around her room.
Diegetic/natural sounds of her writing, sighing, flushing the toilet, her footsteps and then the sound of the shower water running.
Different shots of her in the shower before we see shadow of man approaching through the shower curtain.
As we see the figure, classic sharp high pitched stirings are introduced which help to create the sense of horror, followed by the shrill bloodcurdling scream.
After the scream there are dissonant low chords introduced as the woman is stabbed.
Low minor strings are introduced as she slowly dies - which fade out to leave the only sound of the shower running.
Final shot is v.effective: the slow zoom away from her glazed over eye as she lies collapsed over the edge of the bath.
Escaping in Naples scene from the BOURNE SUPREMACY
During the interrogation the technique of shot-reverse-shot has been used, showing both perspectives of the monotonous one sided conversation.
There are slight atmospheric noises building up in background which give sense of suspense.
The diegetic phone call abruptly cuts the interview short, followed by a slight silent pause before interrogator ends phone call.
Fast paced shots as interrogator pulls out gun, blurry filming (possibly handheld) to show the action and speed of the situation before Bourne knocks out both of the men.
Fast pounding music kicks in and rythmic strings are introduced as Bourne extracts information from the interrogator's phone, which helps to create the sense of urgency
Quick drums are introduced as Bourne races through the carpark being filmed shakily as he tries to locate the correct car and change the number plate.
Inside the car Bourne is sidelit with chiaroscuro lighting which produces an ominous atmosphere as he spies on the phone conversation between Landy and the interrogator.
